Friday, July 14, 2006

attica-ruth magazine 8

scribendi cacoethes

Melancholy Musings

Crawling along Ashram Road, lost in the dense traffic, shopping malls & triple-decker cinemas looming on either side. One tries to accept that this is Ahmedabad, the city one grew up in. But it isn’t. Not the shabby, sometimes exasperating old city one always felt safe in; that was left for one of less extreme clime, & is always fondly remembered as it used to be.
Over Nehru bridge now. Plenty of time to look at Sabarmati below, wearing her ugliest face as usual for summer.Once, a German friend was taken sight-seeing. He asked to be allowed to photograph brilliant red & black bandhani sarees

stretched over Sabarmati bed to dry in the sun. A camel hove into view. “Camille!” cried the visitor, “a camille!” It sneered at him, vastly bored, but paused long enough for a snapshot.
On to the orderly disorder of the walled city. Those shops! Dark narrow corridors running perpendicularly into old buildings, shelves lining either wall.
The merchant sat in the entrance, cross-legged on his white gadhla, with wooden desk before him.
Such fun to peer into the depths of shelves at the family’s favoured grocer. More fun when he magicked out of them a jar of olives, perhaps, & most fun when he handed around glasses of lemonade at the end of the visit. It isn’t greed but the vagaries of childhood memory that recall so vividly frosted tumblers of falooda
at the saree shop, or plates of kulfi at the jeweller’s. (It was always just the one shop; faithful customers; traders deserving of the patronage.)

Kulfi came from vendors in the chowk below, Manek Chowk, the jewellers’ square. Vendors & makers of the delicacy, masters of an art handed down the centuries, since Shah Jahan came to Ahmedabad & thought that something could be made of this hot dusty city, built by a Muslim sultan & settled by him with Jain merchant-banker families, one of which earned pre-eminence as “nagar-sheth”.
After shutters were lowered at the busy day’s end, the kulfi-sellers set out their wares on the door-steps around Manek-Chowk (with the shuttered shops at their backs). Food-vendors’ carts drew up.
The hissings of Primus Stove & Petromax lamp mingled with the spitting of hot oil. Ahmedabadis of every class gathered there in democratic unity of purpose: “to enjoy”, as the Gujarati idiom has it.
Back through medieval pols & nakas,

into the bustle of Teen Darwaza. Way back, in 1958, an incredulous citizenry found tear-gas ‘cannon’ poking out of the battlements atop the gateway, placed there by the Collector to forestall an imminent riot. “Not even Aurangzeb threatened us with cannon!” rose the outraged cry, but there was peace nonetheless.
And peace, too, between Hindu & Muslim, Ahmedabadis all. Some of the tazias at Muharrum, notably one from Khamasa Gate, came from Hindus. The rakhis for Raksha Bandhan were made & sold by indigent Muslim families.

That was how it used to be. Once, a proud city lived from dawn to dusk, through the cycle of seasons & festivals, a pattern of life founded on hard work, enjoyment of simple pleasures honestly earned, a realistic & good-natured tolerance, a strong sense of justice & of community.
The face of Ahmedabad has altered. What of her soul?
ATTIC TROVE
secret hoard
Adenanthera pavonina, the coral wood tree bears pods which twist & burst open as they ripen & dry. Within are very hard, bright scarlet seeds.
They attract children irresistibly, & craftsmen, too. Once occasionally used by jewellers as weights, the seeds were also turned into trinkets & prayer beads. But best of all is their use as hidey holes for elephants. Yes, ivory elephants – as few as five or as many as a hundred. The cost of this secret hoard depended on how many elephants lay concealed within the seed.

This one is 40 years old. The scarlet has darkened to crimson, & one of the elephants is missing. But something of the old charm remains.

ANON:"To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty, to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch, or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded."


Ruth Heredia is the originator and holds the copyright to all material on this blog unless credited to some source. Please do not use it or pass it off as your own work. That is theft. If you wish to link it, quote it, or reprint in whole or in part, please be courteous enough to seek my permission.

1 comment:

ABandC said...

hey ruth, i must say the way you write is so lucid that it makes me want to read more & more... i am intrigued by all your posts..... keep it up.....